Upcoming Art Exhibit

"Drawing Beneath the Surface"

Slide Room Gallery 

January 24 - March 3, 2014

Opening - Friday January 24,  7:30 - 9:00 PM

Jill Ehlert, Sarah Cowan and June Higgins

Curated by Wendy Welch

This exhibition highlights the way drawing moves from drawing marks to painterly strokes and sculptural forms.  These three artists work in the realm between the abstract and the representational and use line as a  form of expressive gesture and a vehicle for meaning.

Gallery Hours 9:00 - 5:00

Some Weekends and Evenings - call to confirm 250-380-3500

The "Slide Room Gallery" is located on the lower level of the Vancouver Island School of Art, 2549 Quadra Street, Victoria

SLIDE ROOM GALLERY: DIFFERENCE & REPETITION

 

Art Opening November 1 at 7:30 pm  

 

Difference and Repetition, an exhibition which derives its title from the book of the same name by French philosopher Gilles Deleuze, explores Deleuze's concept of how a new series brings back an older series and transforms it into something completely new, so that repetition brings about difference.

30 artists from diverse backgrounds and working independently from one another will be contributing one unit (of exactly the same size) in a series derived from a single source - "Abstract painting (1985) 587-5" by the German artist Gerhard Richter.

Richter's work is in a sense itself a series; however in his case a series of unpredictable chaotic and gestural actions resulted in a single work which is impossible to recreate accurately. His series within a single work (Abstract painting (1985) 587-5) will itself be transformed into a new series consisting of 30 original works.

 

Exhibit runs from Nov 1 to Dec 2 2013

Opening Reception: Friday Nov 1 @ 7:30 pm

Slide Room Gallery

Vancouver Island School of Art (VISA)

2549 Quadra Street

Gouache Painting

PAINTING WITH GOUACHE AT VISA

I am also participating in a gouache painting course at VISA. My drawings over the past couple of years include watercolour, pen and ink, pencil, and pencil crayons. Gouache being opaque and flat will be a great contrast and companion to the transparency of the watercolour medium.

http://vancouverislandschoolart.com/fa_painting.html#PNTG112

The description of the course on the VISA website:

Gouache (gwash) is an expressive, opaque, water-based paint favoured by 20th century artists such as Henri Matisse, Joan Miro and Francis Bacon. Gouache is popular today with many contemporary artists such as Olaf Hajek, Anish Kapoor and Maira Kalman who appreciate gouache for its lush, saturated colours and ease of use. Gouache is similar to watercolour but with an added inert white pigment. The result is paint with a smooth, matte finish that is almost velvety in appearance. It is compatible with other water-based media such as acrylic, transparent watercolour, ink, and markers, as well as the dry media of pastels and coloured pencil. In many ways gouache embodies the finer qualities of watercolour, oils and acrylics while avoiding many of their limitations. This course introduces students to gouache through a series of imaginative and creative weekly assignments. Course delivery will include hands-on demos, examples of other artists' works and critique.

KATE SCOONES

Kate Scoones is teaching this “Painting with gouache” course. Kate is a great teacher, enthusiastic and boy does she ever know the properties of gouache and how to use it. Check out Kates website to read about her and to see her beautiful work in oil paint and gouache.

http://katescoones.com/

Kate Scoones - Tramp the Speedway Poodle

 

ADVANCED DRAWING

 

ADVANCED DRAWING 1

My art practice has grown immensely through my explorations into new methods of drawing and studying contemporary art themes with Wendy Welch.

This fall I am participating in “Advanced Drawing 1” with Wendy Welch at VISA. http://vancouverislandschoolart.com/fa_drawing.html#DRWG302

COURSE DESCRIPTION

“In this graduate level course, students will develop ideas and methods within the expansive realm of what is considered to be 'drawing' in today's world of contemporary art. The focus is on developing drawings that are part of a specific series based on a theme. Each individual will discover a theme through investigating personal areas of interest. An important aspect of this course is group critique and developing an understanding on how to discuss drawings in a contemporary context. Classes will include presentations on contemporary drawing, group and one-on-one critiques as well as studio time.” 

DRAWING

The focus of my art practice over the past three years has been on drawing.

Steven Aimone

In 2010 I participated in two “Expressive Drawing” workshops with Steven Aimone http://aimoneartservices.com/ Both workshops were held in Nanaimo through Vancouver Island workshops which is owned and operated by my good friend Mary Stewart. http://vancouverislandartworkshops.com/

 

Vancouver Island School of Art

 

In the summer of 2011 I began taking contemporary drawing classes at the Vancouver Island School of Art [VISA] in Victoria, BC, Canada.  http://vancouverislandschoolart.com/

These drawing classes are neither the typical introduction level classes nor learning the basics of materials, techniques and elements of design. The focus is on current themes in contemporary drawing such as: Science and Nature, Abstract Pencil Drawing, Making a Mark, Contemporary Botanical, Memory & Nostalgia, Language of Mapping, Ornamentation and Decoration. “The focus of these drawing classes has been on a mixed media approach to the imaginative explorations in image making.“

 

Wendy Welch

 

Wendy Welch has been my instructor for all of these drawing classes with the exception of “Making a Mark”, which was taught by Danielle Hogan.

Wendy's practice includes sculpture, painting, drawing, art writing and curatorial work. Wendy has taught at the Victoria College of Art, the University of Victoria and Camosun College. Wendy has had solo exhibitions at Open Space and at the Southern Alberta Art Gallery. Wendy is founder and director of the Vancouver Island School of Art and teaches classes as well.

http://www.wendywelch.com/

http://tinyurl.com/py5dyjo  - great article on Wendy Welch in Boulevard Magazine

 

 

                                                                  Wendy Welch - Cells 1

Palouse trip - day 4

Here are some selected photos from today's adventure. It feels like the colour green is more dominant than where I live on Vancouver Island. Temperatures were in the high 20's today, blue blue sky, huge fluffy clouds. My favourite part was the canola field with its sweet scent. I also loved parking close to the wheat fields, so close I could touch it, sitting there with my window down watching the waving motion as the wind ran up one side like a xylophone and listening to the sound of the wind. I really feel alive in this landscape.

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Palouse trip July 2013 - day 2 sketches

Saturday, Paul and I explored the surrounding area of Ellensburg, WA. One area was the Kittitas Valley Wind Farm, about 12 miles northeast of Ellensburg. This wind farm has 48 wind turbines, at 262 feet tall with each blade being 144 feet long. Quite the sight to see from a distance and up close.

We had lunch in Ellensburg at the Red Horse Diner that had 17 choices of hamburgers - of course we had fries; it was delicious. This diner was filled with gas station memorabilia. It was a neat neat place.

On our way to Colfax we took a side detour to see the Palouse Falls - 199 feet tall - this is the confluence of the Palouse and the Snake River. The canyon is 377 feet deep.

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                   Red Horse Diner, photo by Paul B. Peters

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Palouse Falls, photo by Paul B. Peters  -  To see Paul's pictures of our visits to the Paulouse: www.paulpeters.smugmug.com

Sketches on the move

Tidbits from our first day - little thumbnails that I drew as we drove along. Our final destination Friday was Ellensberg, WA. Which photo do you prefer - colour or black and white?

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On the Road Again!

On board the 9 AM BC Ferries sailing. We are headed to the wheat lands of SE Washington for a 10 day artistic adventure.

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