Drinking blue-geens installation 2007
Diana Lynn Thompson is an installation artist who works with ephemeral moments, accumulated objects, collected stories and insertion/intervention strategies, which she documents in video and photographs.
She took her BFA at the University of Victoria.
Her works have been exhibited, performed and installed
nationally and internationally.
In the 1980’s Diana worked as a park naturalist and botanical illustrator. This background in- and deep love for - biology influences her work, which integrates scientific methodology with a poetic sense of wonder.
She has been known to count every leaf on five trees, patiently collect and pin thousands of pine needles onto
a gallery wall, and distribute 25,000 shaped pieces of shell to people around the world. She has hand-made and numberedthousands of ceramic stones which she then permanently placed on an eroding beach, and stitched and hung over 8000 brilliant autumn leaves at the SOFA Gallery in Bloomington, Indiana. Currently
she is painting and stringing millions of wooden beads for her ongoing project on cyanobacteria.
Check out her website for many other mind-boggling installation works that she has created. All this written info is from her website.
I took this photo in August at Cannon Beach, Oregon.
Oh, to see those lush colours right now!
...and then partnered with the color palette - what a neat tool!
I read about this the colour palette generator at the blog "More ways to waste time" by Leah Hennen. You can see several examples on her blog.
Polly Hammett - Monotype with color palette.
Journal pages by Jill Ehlert
I have created a new photo album called "Artist journal pages". I will be adding to this as time permits.
I took this picture when we were in Cannon Beach, Oregon.
"Crossing the Line" - December 6 - December 24, 2008
An exhibition of work derived from the drawings at the Slide Room Exhibition.
Opening Reception: December 6, 2008 7-9 pm
Martin Bachelor Gallery
712 Cormorant Street, Victoria, B.C.
250 385 7919
Hours: Monday to Saturday 10 am - 5 pm
Making a Mark Collective
In June 2007 the Fran Willis Gallery sadly held its last exhibition before closing its doors. Sharing the south wall of the gallery was the work of these four Victoria artists.
It was through the closing of one door - the Fran Willis Gallery - that we opened another by coming together to form Making a Mark. Over the course of the last year we have come to appreciate the extent to which artists can support, encourage, and facilitate the exhibition and creation of one another's work. We have beeen delighted to discover that we do, as we first thought, share an aesthetic, be it through our use of strong gestural marks, our willingness to experiment and have the courage to work with a variety of materials, or our determination to reveal our life experiences, and inner-most thoughts, through our work. As members of Making a Mark, we want to "speak" to a wide audience and by so doing share what we have created on and beneath the surface both as individuals and as a group of women artists."
Polly Hammett is a Signature Member of the American Watercolor Societyand the National Watercolor Society and a professional member of the American Art Therapy Association. She has designed workshops for counselors, educators and therapists; and has conducted these painting workshops, as well as others, across the country and Canada. She is an exciting and innovative instructor who conducts workshops all around the nation.
According to Polly Hammett, "Each of us is as individual as our fingerprints. This individuality is a result of a lifelong accumulation of information gathered from personal experiences and impressions which provide a strong foundation for future independent growth in our painting as well as all areas of our lives."
Design with the Figure
In this Creative Catalyst Production instructional DVD,innovative instructor Polly Hammet teaches you mixed media techniques for design with the human figure.
Learn Polly Hammett's unique, multifaceted and open-ended design approach as she develops and completes a painting. From this experienced teacher you will gain skills and techniques in a wide variety of topics:
- design considerations
- interaction with models
- creative use of contour drawing
- figure placement and the impact on their meaning to the viewer
- developing a background
- manipulating dark and light patterns to achieve a strong visual statement
- lifting lights
- adding texture
- use of exaggeration and distortion
- the importance of transitions
Polly also shares many insights on subjects integral to being an artist including how to benefit from critique groups. Artists will find Polly's design concepts applicable to any subject.
"PRESENT PASSAGE" BY Diane McCarten
"The present is continuously passing away & yet it is always here".
This painting of Diane's is part of a group show in Houston, Texas. 10+ is a Houston based artists' group that has been gathering monthly for over 12 years "to share our lives, objectively review our art work & support each other on our artistic journeys. This past year we agreed to read Tolle's book, A New Earth, and to use it as a point of departure for creating individual visual responses to a portion of the book that especially resonated with each one of us. This show, "Present", is the result of our introspection and reaction. Each diverse creation, using color, line & design, holds its own conclusions & truths. Displayed here together, the works acknowledge our collective instinct to connect with one other consciously & respectfully".
Title: Abundant Blessings
Medium: Mixed Media on Canvas
Dimensions: 23" x 47"
Collaging on top of over-size playing cards (3 1/2 X 5). Parts of 6 cards are shown here. These were purchased at the dollar store.
My friend Diane McCarten and I spent all day Tuesday at Donna Baspaly's house in Qualicum. Donna showed us tons of different projects and techniques which will take weeks and months to do. We only had time for this one project which we worked on all day long. These are only a few of mine showing different states of development, I still have lots more to do on them. The idea is to work on the same background - Donna calls this DNA, holding onto a little bit - even a speck somewhere in the collage.